Image from the Writers in Conversation interview with Malcolm  Bradbury.  View or purchase this videotape by following the link on the Gaddis on the Web page.

Scott Zieher
has a drink with William Gaddis at a 
1994 National Book Awards reception 

In November 1994 the National Book Awards took place in New York and a good friend in publishing got me and two friends tickets to the reading the night before the ceremony, including invitations to the cocktail reception following.

The reading was stellar.  Gaddis, couched between Sherwin Nuland and James Tate, read quietly in his muffled way the Crease opinion legalese surrounding Melville.  Not easy to deliver, but ever so relevant and compelling in light of our hero’s plight.  The laughter was rare punctuation during his performance, but well placed when present.

I raced to the reception afterwards.  I brought Frolic with me, knowing this might be the only opportunity to meet the man and actually having something to say to him other than “I loved The Recognitions etc etc. etc.”

He arrived late. All three people with me urged me to approach Gaddis, once he appeared.  I was reticent.  He was surrounded after his late arrival -- his small flock of followers was powerful enough to corner him next to a potted plant.  His son attended him graciously and quietly.  Finally the cocktails kicked in and the crowd parted.  I made my way to Gaddis without the book and told him I had a story for him.  I relayed the tale of my own Harry Lutz.  Our old boy nearly doubled over laughing; he was smoking and drinking champagne, and I could hardly believe his glib approachability.  Obnoxious as it is, I’ll quote my journal entry, of November 15, 1994, for the event:

"He told me a Nikolai Gogol story:  that if you name a character he is out there somewhere, waiting to sue you… his son said, “Let’s hope not.”  “No,” Gaddis said.  Then he said, “I’d like another glass of wine,” and his son said he’d “like to go.”  Gaddis said, “I’ll drink it quickly.”  G.’s son then offered me (a full one already in hand, for muster) a drink.  I declined, showing him.  And then we were alone for a moment and he told me how glad he was that this was over. “The hullabaloo?” I asked him, and he said “No, the reading” and how ridiculous it was, “like Oscar night.”  I asked, “Did that have anything to do with your choice of excerpt?” and said I thought it was a great excerpt, “acerbic,” I told him it was (acting like I was at my best, using the perfect word --  fucking moron).  He said, “Good,” and we clicked out Veuve Cliquots.  His son returned.  The two of them remained edged up to the coffee and cookie table, hidden underneath a palm tree, tucked strategically, all the while.  I then told G. that I was as faithful to The Recognitions as I could be, and tried to get everyone I knew to read it.  He thanked me.  I thanked him and he actually laughed and patted me on the back.  I told him my “prayers” would be with him at the award ceremony the following night, and he actually thanked me again and actually laughed and patted me on the back again.  We separated awkwardly.  We shook hands.  My friends Gary, Sabina, Beth, and Eileen all encouraged me to ask for an autograph, just as he was leaving.  I did.  He signed the book in a shaky hand:

"To Scott (and the Harry Lutz story), best regards Wm. Gaddis Nov 94

". . . and then he said, “Out into the night --” and then I had some more of that free champagne… "

That’s my brush with greatness, as factual as a Humble Servant to the Gaddis Community can make it.

back to Gaddis Remembered index page

index || introductory & general || site search || Gaddis news
The Recognitions || J R || Carpenter's Gothic || A Frolic of his Own || Agapē Agape

All contents © 2000-2024 by the Gaddis Annotations site and the original authors, contributors, publishers, and publications.